No. 0731990·groove-metal·5 blocks
Cemetery Gates
Pantera's most dynamic song: a clean, chiming arpeggio intro that explodes into a crushing groove and one of Dimebag Darrell's most expressive solos. Recorded with producer Terry Date in 1990, the heavy tone is a Dean ML 'Dean From Hell' with a Bill Lawrence L-500XL through a solid-state Randall RG100ES — mids scooped by an MXR six-band EQ — while the clean intro comes from a Roland JC-120's lush chorus. Standard tuning.
Signal path · input → output · 6 blocksLive values · Pedalboard
Guitar
Dean ML 'Dean From Hell'
Pickups
HH
Tuning
bridge
Strings
standard
MXR Six-Band Graphic EQ (M109) — V-scoop
Rocktron Hush (noise gate)
Randall RG100ES (solid-state)
Randall 4x12 (Celestion G12T-75)
Shure SM57
MXR Six-Band Graphic EQ (M109) — V-scoop
eq
100Hz
5
200Hz
0
400Hz
-3
800Hz
-10
1.6kHz
-3
3.2kHz
4
Rocktron Hush (noise gate)
noise_gate
Threshold
6dB
Randall RG100ES (solid-state)
preamp
Gain
8
Bass
7
Middle
3
Treble
7
Presence
7
Master
7
Engineer's note
File 073
Pantera's most dynamic song: a clean, chiming arpeggio intro that explodes into a crushing groove and one of Dimebag Darrell's most expressive solos. Recorded with producer Terry Date in 1990, the heavy tone is a Dean ML 'Dean From Hell' with a Bill Lawrence L-500XL through a solid-state Randall RG100ES — mids scooped by an MXR six-band EQ — while the clean intro comes from a Roland JC-120's lush chorus. Standard tuning.
— Dimebag Darrell
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