No. 0731990·groove-metal·5 blocks
Cemetery Gates
Pantera's most dynamic song: a clean, chiming arpeggio intro that explodes into a crushing groove and one of Dimebag Darrell's most expressive solos. Recorded with producer Terry Date in 1990, the heavy tone is a Dean ML 'Dean From Hell' with a Bill Lawrence L-500XL through a solid-state Randall RG100ES — mids scooped by an MXR six-band EQ — while the clean intro comes from a Roland JC-120's lush chorus. Standard tuning.
Signal path · input → output · 7 blocksLive values · Neural DSP Quad Cortex
Guitar
Dean ML 'Dean From Hell'
Pickups
HH
Tuning
bridge
Strings
standard
Noise Gate
Studio Comp
Graphic EQ
5153 Red Ch
4x12 V30
Plate
Noise Gate
← Rocktron Hush
Threshold
-50dB
Decay
0.2s
Level
0
Studio Comp
← Studio compression
Threshold
-32dB
Ratio
2:1
Attack
6s
Release
180s
Mix
30
Level
0dB
Graphic EQ
← MXR Six-Band Graphic EQ — V-scoop
Low
5
LowMid
-3
Mid
-10
HighMid
-3
High
4
5153 Red Ch
← Randall RG100ES (solid-state)
Gain
8
Bass
7
Mid
2
Treble
7.5
Presence
6.5
Master
7
Sag
2.5
4x12 V30
← Randall 4x12 (Celestion G12T-75)
LowCut80Hz
HighCut13000Hz
Level
0dB
Plate
← Studio plate (subtle)
Decay
0.9s
Predelay
20ms
Mix
8
Level
0
Engineer's note
File 073
Pantera's most dynamic song: a clean, chiming arpeggio intro that explodes into a crushing groove and one of Dimebag Darrell's most expressive solos. Recorded with producer Terry Date in 1990, the heavy tone is a Dean ML 'Dean From Hell' with a Bill Lawrence L-500XL through a solid-state Randall RG100ES — mids scooped by an MXR six-band EQ — while the clean intro comes from a Roland JC-120's lush chorus. Standard tuning.
— Dimebag Darrell
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