No. 0862008·alt-rock·6 blocks

Use Somebody

The widescreen guitar hook on Use Somebody is Matthew Followill — not Caleb, who plays rhythm and sings — riding a delayed octave melody through a Matchless combo. Producer Jacquire King confirmed the Matchless was the amp on this track (the Selmer was Sex on Fire's). The shimmer is a rhythmic Line 6 delay plus a lush studio reverb (an Eventide DSP4000 added the 'synth-like' sheen at Blackbird in Nashville). The guitar is dialed clean and bright, the delay and reverb do the rest.

Only by the Night coverOnly by the Night
Settings for
Signal path · input → output · 8 blocksLive values · Line 6 Helix
Guitar
Epiphone Sheraton
Pickups
HH
Tuning
bridge
Strings
standard
Deluxe Comp
Scream 808
Matchstick Ch2
2x12 Match H30
Digital Delay
Plate
Tilt
Deluxe Comp
← Studio compression
Dynamics
Threshold
-30dB
Ratio
2:1
Knee
6dB
Attack
100s
Release
800s
Mix
60
Level
0dB
Scream 808
← Optional push boost
Distortion
Gain
1.5
Tone
5.5
Level
7
Matchstick Ch2
← Matchless DC-30
Amp
Drive
4
Bass
5
Mid
5.5
Treble
6.5
Presence
5.5
Cut
4
ChVol
6
Master
10
Bias
5.5
BiasX
5
Sag
5.5
Hum
5
Ripple
5
2x12 Match H30
← Matchless 2x12
Cab
LowCut90Hz
HighCut8500Hz
Resonance
0.5
Level
0dB
Pan
0.5
Delay
0
Digital Delay
← Line 6 DL4 (dotted-eighth)
Delay
LowCut200Hz
HighCut6000Hz
Time
330ms
Feedback
28
Mix
30
Level
0
Plate
← Eventide DSP4000 (lush studio reverb)
Reverb
LowCut200Hz
HighCut8000Hz
Mix
26
Decay
0.6s
Predelay
20ms
Level
0
Tilt
← Tilt EQ (global brightness)
EQ
Tilt
0.6
CenterFreq
1000Hz
Level
0

Engineer's note

File 086
The widescreen guitar hook on Use Somebody is Matthew Followill — not Caleb, who plays rhythm and sings — riding a delayed octave melody through a Matchless combo. Producer Jacquire King confirmed the Matchless was the amp on this track (the Selmer was Sex on Fire's). The shimmer is a rhythmic Line 6 delay plus a lush studio reverb (an Eventide DSP4000 added the 'synth-like' sheen at Blackbird in Nashville). The guitar is dialed clean and bright, the delay and reverb do the rest.
Matthew Followill

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