Snow (Hey Oh) is a perpetual-motion machine of cascading sixteenth-note arpeggios, and the tone is deceptively simple: John Frusciante's 1962 Stratocaster running clean into a Marshall Major, with a Boss CE-1 Chorus Ensemble adding the liquid shimmer that makes the figure glisten. There is almost no dirt — the magic is in the clarity, the chorus, and Frusciante's relentlessly even right hand.
Jimi Hendrix fuzz tone: Fuzz Face settings, the guitar volume cleanup trick, Marshall amp dials, and how to nail it on modern gear.
The Celestion V30 takes a beating in modern djent contexts, and that criticism is fair. But in the medium-gain rock zone (Marshall plexis pushed to breakup, Bluesbreaker-stacked Twin Reverbs, AC30 territory), the V30 is still the speaker its 1990s reputation was built on. Here is when to choose it, and what it does that nothing else quite does.
The Marshall 1960A cabinet ships with G12T-75 speakers, not the Greenbacks everyone associates with vintage Marshall tone. The reason is engineering, not cost-cutting. Understanding it changes how you set up a high-gain rig.