The bright, hammered riff of Last Nite is Albert Hammond Jr's white Fender Stratocaster into a loud, clean Fender Hot Rod DeVille — not, despite the persistent myth, a Crate VC30. Producer Gordon Raphael documented the DeVilles himself: one Sennheiser MD 421 per amp on opposite sides of the basement room at Transporterraum, straight into an API preamp with no EQ. The grit is amp headroom plus a light overdrive, and the two interlocking guitars are panned hard left and right.
Hybrid picking isn't a country-only technique. Mark Knopfler, Albert Collins, and Scotty Moore built careers on it in rock and blues. Here's the technique, where it applies, and the specific moments where using your middle finger changes a phrase from good to right.
Jack White's tone settings explained: White Stripes Silvertone amp crunch, Seven Nation Army Big Muff fuzz, Whammy settings, and how to nail it on modern gear.
Exact settings for the Marshall JCM800 across blues, classic rock, hard rock, and metal, on the real amp and on Helix, Quad Cortex, and Katana models.