No. 0892001·indie-rock·5 blocks
Last Nite
The bright, hammered riff of Last Nite is Albert Hammond Jr's white Fender Stratocaster into a loud, clean Fender Hot Rod DeVille — not, despite the persistent myth, a Crate VC30. Producer Gordon Raphael documented the DeVilles himself: one Sennheiser MD 421 per amp on opposite sides of the basement room at Transporterraum, straight into an API preamp with no EQ. The grit is amp headroom plus a light overdrive, and the two interlocking guitars are panned hard left and right.
Signal path · input → output · 5 blocksLive values · Kemper Profiler
Guitar
Fender Stratocaster (1985, '70s reissue)
Pickups
SSS
Tuning
bridge
Strings
standard
Compressor
Green Scream
Search Rig Exchange for 'Hot Rod DeVille' or 'Fender 2x12 clean'
Room Reverb
Compressor
← Studio compression / level riding
Intensity
2.5
Attack
0.1s
Volume
0
Green Scream
← Visual Sound Jekyll & Hyde (OD side)
Drive
3
Tone
6
Volume
6
Search Rig Exchange for 'Hot Rod DeVille' or 'Fender 2x12 clean'
← Fender Hot Rod DeVille 2x12
Gain
4
Bass
4
Middle
6
Treble
7
Presence
6
Room Reverb
← Transporterraum room
Decay
0.8s
Predelay
0.0ms
Mix
0.1
Engineer's note
File 089
The bright, hammered riff of Last Nite is Albert Hammond Jr's white Fender Stratocaster into a loud, clean Fender Hot Rod DeVille — not, despite the persistent myth, a Crate VC30. Producer Gordon Raphael documented the DeVilles himself: one Sennheiser MD 421 per amp on opposite sides of the basement room at Transporterraum, straight into an API preamp with no EQ. The grit is amp headroom plus a light overdrive, and the two interlocking guitars are panned hard left and right.
— Albert Hammond Jr
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