No. 0892001·indie-rock·5 blocks

Last Nite

The bright, hammered riff of Last Nite is Albert Hammond Jr's white Fender Stratocaster into a loud, clean Fender Hot Rod DeVille — not, despite the persistent myth, a Crate VC30. Producer Gordon Raphael documented the DeVilles himself: one Sennheiser MD 421 per amp on opposite sides of the basement room at Transporterraum, straight into an API preamp with no EQ. The grit is amp headroom plus a light overdrive, and the two interlocking guitars are panned hard left and right.

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Settings for
Signal path · input → output · 7 blocksLive values · Neural DSP Quad Cortex
Guitar
Fender Stratocaster (1985, '70s reissue)
Pickups
SSS
Tuning
bridge
Strings
standard
LA Compressor
Klon
US Double
2x12 Double
Room Reverb
Tilt EQ
LA Compressor
← Studio compression / level riding
Dynamics
Threshold
-28dB
Ratio
2:1
Attack
10s
Release
180s
Mix
50
Level
0dB
Klon
← Visual Sound Jekyll & Hyde (OD side)
Distortion
Drive
3
Tone
6
Level
6
US Double
← Fender Hot Rod DeVille 2x12
Amp
Gain
4
Bass
4
Mid
6
Treble
7
Presence
6
Master
6
Sag
5
2x12 Double
← Hot Rod DeVille 2x12
Cab
LowCut90Hz
HighCut7000Hz
Level
0dB
Room Reverb
← Transporterraum room
Reverb
Decay
0.8s
Predelay
18ms
Mix
12
Level
0
Tilt EQ
← Tilt EQ (global brightness)
EQ
Tilt
5.8
CenterFreq
1000Hz
Level
0

Engineer's note

File 089
The bright, hammered riff of Last Nite is Albert Hammond Jr's white Fender Stratocaster into a loud, clean Fender Hot Rod DeVille — not, despite the persistent myth, a Crate VC30. Producer Gordon Raphael documented the DeVilles himself: one Sennheiser MD 421 per amp on opposite sides of the basement room at Transporterraum, straight into an API preamp with no EQ. The grit is amp headroom plus a light overdrive, and the two interlocking guitars are panned hard left and right.
Albert Hammond Jr

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