No. 2091986·heavy-metal·5 blocks
Killer of Giants
Lee calls this his proudest piece of writing, and it is the track where his layering method is most audible. He cut the basics and solos on the white Charvel, then doubled them with the blue burst or the purple burst -- and crucially, he always doubled through whichever of his two Marshalls he had not used the first time. The width in this solo is two different amps playing the same notes, not a chorus pedal.
The Ultimate SinSignal path · input → output · 5 blocksLive values · Boss Katana
Guitar
Charvel San Dimas (blue burst)
Pickups
HSS
Tuning
bridge
Strings
standard
Booster
Crunch
Delay
Reverb
Booster
← Boss OD-1 / ProCo Rat
Drive
2
Bottom
4
Tone
5
Level
8
Crunch
← Marshall Super Lead 100W (1969)
Gain
7
Volume
6
Bass
4
Middle
6
Treble
7
Presence
6
Master
6
Delay
← Studio delay
Time
420ms
Feedback
3
EffectLevel
20
Reverb
← Studio plate
Time
19ms
PreDelay
28ms
Tone
6
EffectLevel
20
Engineer's note
File 209
Lee calls this his proudest piece of writing, and it is the track where his layering method is most audible. He cut the basics and solos on the white Charvel, then doubled them with the blue burst or the purple burst -- and crucially, he always doubled through whichever of his two Marshalls he had not used the first time. The width in this solo is two different amps playing the same notes, not a chorus pedal.
— Jake E. Lee
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