No. 2091986·heavy-metal·5 blocks
Killer of Giants
Lee calls this his proudest piece of writing, and it is the track where his layering method is most audible. He cut the basics and solos on the white Charvel, then doubled them with the blue burst or the purple burst -- and crucially, he always doubled through whichever of his two Marshalls he had not used the first time. The width in this solo is two different amps playing the same notes, not a chorus pedal.
The Ultimate SinSignal path · input → output · 6 blocksLive values · Pedalboard
Guitar
Charvel San Dimas (blue burst)
Pickups
HSS
Tuning
bridge
Strings
standard
Boss OD-1 Over Drive
Marshall Super Lead 100W (1969) / aluminium-faced 100W (1970-71)
Marshall 4x12 straight cab, Electro-Voice loaded
Shure SM57
Studio delay
Boss OD-1 Over Drive
overdrive
Level
8
Drive
2
Marshall Super Lead 100W (1969) / aluminium-faced 100W (1970-71)
preamp
Presence
6
Bass
4
Middle
6
Treble
7
Volume I
8
Volume II
5
Studio delay
delay · FX loop
Time
420ms
Repeats
3
Mix
20
Engineer's note
File 209
Lee calls this his proudest piece of writing, and it is the track where his layering method is most audible. He cut the basics and solos on the white Charvel, then doubled them with the blue burst or the purple burst -- and crucially, he always doubled through whichever of his two Marshalls he had not used the first time. The width in this solo is two different amps playing the same notes, not a chorus pedal.
— Jake E. Lee
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