No. 0811991·grunge·6 blocks
Alive
Alive ends on one of rock's most euphoric outro solos — and famously, the keeper take was a single pass nailed at the mix in England, with a Uni-Vibe swirling underneath. The rig is McCready's Ten staple: the black 1962 Japanese-reissue Strat, an Ibanez TS-9 pushing a cranked Marshall JCM800, a Cry Baby in the solo, and that Uni-Vibe on the outro. Note: the 1959 Les Paul fans tie to Alive is his LIVE guitar (bought in 1998) — the recording is the Strat.
Signal path · input → output · 5 blocksLive values · Boss Katana
Guitar
Fender Stratocaster (1962 Japanese Reissue)
Pickups
SSS
Tuning
neck
Strings
standard
Tube Screamer
Lead
Uni-V
Reverb
Tube Screamer
← Ibanez TS-9 Tube Screamer
Drive
40
Bottom
0
Tone
55
Level
75
Lead
← Marshall JCM800 2203
Gain
65
Volume
50
Bass
48
Middle
62
Treble
66
Presence
60
Master
50
Uni-V
← Uni-Vibe
Rate
30Hz
Depth
55
Level
40
Reverb
← Tracking / mix ambience
Time
12ms
PreDelay
20ms
Tone
50
EffectLevel
18
Engineer's note
File 081
Alive ends on one of rock's most euphoric outro solos — and famously, the keeper take was a single pass nailed at the mix in England, with a Uni-Vibe swirling underneath. The rig is McCready's Ten staple: the black 1962 Japanese-reissue Strat, an Ibanez TS-9 pushing a cranked Marshall JCM800, a Cry Baby in the solo, and that Uni-Vibe on the outro. Note: the 1959 Les Paul fans tie to Alive is his LIVE guitar (bought in 1998) — the recording is the Strat.
— Mike McCready
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