Alive ends on one of rock's most euphoric outro solos — and famously, the keeper take was a single pass nailed at the mix in England, with a Uni-Vibe swirling underneath. The rig is McCready's Ten staple: the black 1962 Japanese-reissue Strat, an Ibanez TS-9 pushing a cranked Marshall JCM800, a Cry Baby in the solo, and that Uni-Vibe on the outro. Note: the 1959 Les Paul fans tie to Alive is his LIVE guitar (bought in 1998) — the recording is the Strat.
Exact settings for the Marshall JCM800 across blues, classic rock, hard rock, and metal, on the real amp and on Helix, Quad Cortex, and Katana models.
Jimi Hendrix fuzz tone: Fuzz Face settings, the guitar volume cleanup trick, Marshall amp dials, and how to nail it on modern gear.
Two Studio-line heads. Two of the most modified Marshall preamp topologies ever shipped. Which 20-watt version belongs on your board, and which one actually sounds like the amp it claims to copy.