No. 1082018·worship·7 blocks
Living Hope
The polished worship-pop electric on Phil Wickham's title track — played by session guitarist Casey Moore, not Wickham's touring player. A clean Vox-or-boutique amp bed sits under a dotted-eighth delay and a big plate reverb, with an EHX Micro POG adding an octave-up shimmer to the swells. The verses are pad-like and compressed; the choruses open up with a light boost into the amp. Half-time feel in Eb, about 72 BPM. The atmosphere is the part — the dry tone alone is almost nothing.
Living HopeSignal path · input → output · 5 blocksLive values · Boss Katana
Guitar
Fender Stratocaster
Pickups
SSS
Tuning
neck
Strings
standard
Boost
Clean
Delay
Reverb
Boost
← Light chorus-lift boost
Drive
1
Bottom
5
Tone
6
Level
6
Clean
← Vox AC30 / Bad Cat (clean)
Gain
3
Volume
6
Bass
5
Middle
5
Treble
6
Presence
5
Master
6
Delay
← Dotted-eighth delay
Time
625ms
Feedback
36
EffectLevel
30
Reverb
← Big plate reverb
Time
6ms
PreDelay
20ms
Tone
5
EffectLevel
45
Engineer's note
File 108
The polished worship-pop electric on Phil Wickham's title track — played by session guitarist Casey Moore, not Wickham's touring player. A clean Vox-or-boutique amp bed sits under a dotted-eighth delay and a big plate reverb, with an EHX Micro POG adding an octave-up shimmer to the swells. The verses are pad-like and compressed; the choruses open up with a light boost into the amp. Half-time feel in Eb, about 72 BPM. The atmosphere is the part — the dry tone alone is almost nothing.
— Casey Moore
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