Keith Richards' tone on Start Me Up is the sound of rock and roll rhythm guitar stripped to its essence. A Telecaster in open-G tuning (with the low E string removed, making it a 5-string guitar) through a cranked Fender Twin Reverb. The open tuning allows Richards to play full, ringing chords with a single finger barred across the fretboard, creating a big, open sound. The Twin Reverb's clean headroom preserves the jangly brightness of the Telecaster, while the slight natural breakup from playing hard gives it attitude.
The 2555 Silver Jubilee sits between the JCM800 and the JCM900 in both era and gain structure. Here is what makes it different, who used it, and the settings that get you there.
The Celestion V30 takes a beating in modern djent contexts, and that criticism is fair. But in the medium-gain rock zone (Marshall plexis pushed to breakup, Bluesbreaker-stacked Twin Reverbs, AC30 territory), the V30 is still the speaker its 1990s reputation was built on. Here is when to choose it, and what it does that nothing else quite does.
Hybrid picking isn't a country-only technique. Mark Knopfler, Albert Collins, and Scotty Moore built careers on it in rock and blues. Here's the technique, where it applies, and the specific moments where using your middle finger changes a phrase from good to right.