No. 1392000·nu-metal·4 blocks
Awake
The dense, militaristic palm-muted chug of Godsmack's second album title track. Tony Rombola tracked Awake through his Mesa/Boogie rig — close-miked with a Shure SM57 and a Sennheiser MD 421 into John Hardy M1 preamps and a Manley Massive Passive EQ, per the session's engineering notes. Played in drop C and produced by Sully Erna with Mudrock, it's a tight, aggressive rhythm tone with a controlled, defined low end built for the marching groove.
AwakeSignal path · input → output · 4 blocksLive values · Boss Katana
Guitar
Gibson Les Paul (Custom/Standard era)
Pickups
HH
Tuning
bridge
Strings
drop C (C-G-C-F-A-D)
Noise Gate
Lead
Plate
Noise Gate
← Noise gate
Threshold
50dB
Release
30s
Level
0
Lead
← Mesa/Boogie Dual Rectifier
Gain
8
Volume
6
Bass
6
Middle
5
Treble
6
Presence
5
Plate
← Studio room ambience
Time
3ms
PreDelay
12ms
Tone
4
EffectLevel
7
Engineer's note
File 139
The dense, militaristic palm-muted chug of Godsmack's second album title track. Tony Rombola tracked Awake through his Mesa/Boogie rig — close-miked with a Shure SM57 and a Sennheiser MD 421 into John Hardy M1 preamps and a Manley Massive Passive EQ, per the session's engineering notes. Played in drop C and produced by Sully Erna with Mudrock, it's a tight, aggressive rhythm tone with a controlled, defined low end built for the marching groove.
— Tony Rombola
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