No. 1392000·nu-metal·4 blocks
Awake
The dense, militaristic palm-muted chug of Godsmack's second album title track. Tony Rombola tracked Awake through his Mesa/Boogie rig — close-miked with a Shure SM57 and a Sennheiser MD 421 into John Hardy M1 preamps and a Manley Massive Passive EQ, per the session's engineering notes. Played in drop C and produced by Sully Erna with Mudrock, it's a tight, aggressive rhythm tone with a controlled, defined low end built for the marching groove.
AwakeSignal path · input → output · 5 blocksLive values · Kemper Profiler
Guitar
Gibson Les Paul (Custom/Standard era)
Pickups
HH
Tuning
bridge
Strings
drop C (C-G-C-F-A-D)
Noise Gate
Search Rig Exchange for 'Mesa Dual Rectifier'
Studio EQ
Room Reverb
Noise Gate
← Noise gate
Threshold
5dB
Volume
0
Search Rig Exchange for 'Mesa Dual Rectifier'
← Mesa/Boogie Dual Rectifier
Gain
7.5
Bass
6
Middle
5
Treble
6.5
Presence
6.5
Studio EQ
← Manley Massive Passive (post-amp EQ)
LowCut100Hz
HighCut8000Hz
Mid
1
MidFreq
900
Room Reverb
← Studio room ambience
Decay
0.5s
Predelay
12ms
Mix
7
Engineer's note
File 139
The dense, militaristic palm-muted chug of Godsmack's second album title track. Tony Rombola tracked Awake through his Mesa/Boogie rig — close-miked with a Shure SM57 and a Sennheiser MD 421 into John Hardy M1 preamps and a Manley Massive Passive EQ, per the session's engineering notes. Played in drop C and produced by Sully Erna with Mudrock, it's a tight, aggressive rhythm tone with a controlled, defined low end built for the marching groove.
— Tony Rombola
Sources · Verified by
