No. 1381998·nu-metal·4 blocks
Whatever
The down-tuned alt-metal grind that broke Godsmack's debut. Tony Rombola tracked the self-titled album with a borrowed Gibson Les Paul Studio — 'the one that worked best with my Mesas,' in his words — through his Mesa/Boogie rig at New Alliance Studios in Boston, produced by Sully Erna and Mudrock. Played in drop C (a drop-D shape tuned a whole step down), it's a thick, mid-forward rhythm with bluesy wah inflections over the chug.
GodsmackSignal path · input → output · 7 blocksLive values · Neural DSP Quad Cortex
Guitar
Gibson Les Paul Studio (borrowed)
Pickups
HH
Tuning
bridge
Strings
drop C (C-G-C-F-A-D)
Noise Gate
Studio Comp
Recto
4x12 V30
Tilt EQ
Room Reverb
Noise Gate
← Noise gate
Threshold
-50dB
Decay
0.3s
Level
0
Studio Comp
← Light tracking compression
Threshold
-32dB
Ratio
2:1
Attack
38s
Release
200s
Mix
35
Level
0dB
Recto
← Mesa/Boogie Rectifier
Gain
7
Bass
6
Mid
5
Treble
6
Presence
6
Master
6
4x12 V30
← Mesa Recto 4x12 V30
LowCut95Hz
HighCut7500Hz
Level
0dB
Tilt EQ
← Global brightness EQ
Tilt
4.5
CenterFreq
1000Hz
Level
0
Room Reverb
← Studio room ambience
Decay
0.6s
Predelay
15ms
Mix
8
Level
0
Engineer's note
File 138
The down-tuned alt-metal grind that broke Godsmack's debut. Tony Rombola tracked the self-titled album with a borrowed Gibson Les Paul Studio — 'the one that worked best with my Mesas,' in his words — through his Mesa/Boogie rig at New Alliance Studios in Boston, produced by Sully Erna and Mudrock. Played in drop C (a drop-D shape tuned a whole step down), it's a thick, mid-forward rhythm with bluesy wah inflections over the chug.
— Tony Rombola
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