No. 1381998·nu-metal·4 blocks

Whatever

The down-tuned alt-metal grind that broke Godsmack's debut. Tony Rombola tracked the self-titled album with a borrowed Gibson Les Paul Studio — 'the one that worked best with my Mesas,' in his words — through his Mesa/Boogie rig at New Alliance Studios in Boston, produced by Sully Erna and Mudrock. Played in drop C (a drop-D shape tuned a whole step down), it's a thick, mid-forward rhythm with bluesy wah inflections over the chug.

Godsmack coverGodsmack
Settings for
Signal path · input → output · 2 blocksLive values · IK TONEX
Guitar
Gibson Les Paul Studio (borrowed)
Pickups
HH
Tuning
bridge
Strings
drop C (C-G-C-F-A-D)
Search ToneNET for 'Mesa Dual Rectifier' or 'Recto modern'
Search ToneNET for 'Mesa Dual Rectifier' or 'Recto modern'
← Mesa/Boogie Rectifier
Effect

Engineer's note

File 138
The down-tuned alt-metal grind that broke Godsmack's debut. Tony Rombola tracked the self-titled album with a borrowed Gibson Les Paul Studio — 'the one that worked best with my Mesas,' in his words — through his Mesa/Boogie rig at New Alliance Studios in Boston, produced by Sully Erna and Mudrock. Played in drop C (a drop-D shape tuned a whole step down), it's a thick, mid-forward rhythm with bluesy wah inflections over the chug.
Tony Rombola

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