No. 0781991·hard-rock·5 blocks
November Rain
The most-played stadium solo of a generation — a Kris Derrig '59 Les Paul replica with Seymour Duncan Alnico II Pros, into a modified Marshall JCM800 2203, in Eb. The voice is sustain and vibrato, not gain: a singing, vocal lead with lush studio reverb floating it over the piano. Slash tracked the feedback by splitting into a second amp and playing back loud — the sustain is real, not a pedal.
Use Your Illusion ISignal path · input → output · 6 blocksLive values · Neural DSP Quad Cortex
Guitar
Kris Derrig 1959 Les Paul replica
Pickups
HH
Tuning
neck
Strings
Eb standard
Studio Comp
Brit 2203
4x12 V30
Hall
Graphic EQ
Studio Comp
← Studio compression
Threshold
-32dB
Ratio
3:1
Attack
12s
Release
250s
Mix
0.7
Level
0dB
Brit 2203
← Marshall JCM800 2203 (#34, modded)
Gain
6.5
Bass
5
Mid
7
Treble
6.8
Presence
6
Master
7
Sag
6
4x12 V30
← Marshall 1960 4x12 (V30)
LowCut90Hz
HighCut8500Hz
Level
0dB
Hall
← Studio plate/hall (mix)
Decay
0.7s
Predelay
30ms
Mix
0.3
Level
0
Graphic EQ
← Global voicing EQ
1kHz
2
Level
0
Engineer's note
File 078
The most-played stadium solo of a generation — a Kris Derrig '59 Les Paul replica with Seymour Duncan Alnico II Pros, into a modified Marshall JCM800 2203, in Eb. The voice is sustain and vibrato, not gain: a singing, vocal lead with lush studio reverb floating it over the piano. Slash tracked the feedback by splitting into a second amp and playing back loud — the sustain is real, not a pedal.
— Slash
Sources · Verified by
