No. 1482004·hard-rock·5 blocks
Slither
Slash's swaggering, Drop D main riff from Velvet Revolver's 2004 debut Contraband — a Les Paul into cranked Marshall. Producer Josh Abraham cut the band mostly live at NRG and Pulse (engineer Ryan Williams, mixed by Andy Wallace), tracking guitars through SM57s. The distortion is Slash's signature Marshall stack — a Frank-Levi-modded JCM800 2203 and his JCM 2555SL Silver Jubilee signature — with a Tube Screamer tightening the front end. Confirmed Drop D (D-A-D-G-B-E), not Eb.
ContrabandSignal path · input → output · 7 blocksLive values · Fractal Axe-Fx
Guitar
Gibson Les Paul Standard ('59 replica)
Pickups
HH
Tuning
bridge
Strings
Drop D (D-A-D-G-B-E)
Deluxe Comp
TS808
Brit 800
4x12 Cali V30
Filter Tilt
Room
Deluxe Comp
← Light tracking compression
Threshold
-30dB
Ratio
2:1
Attack
40s
Release
200s
Mix
0.3
Level
0dB
TS808
← Ibanez Tube Screamer
Drive
3
Tone
6
Level
7
Brit 800
← Marshall JCM800 2203 / JCM 2555SL
Drive
7
Bass
5
Mid
6
Treble
6
Presence
5
MV
7
4x12 Cali V30
← Marshall 1960BV (Vintage 30)
LowCut90Hz
HighCut8000Hz
Level
0dB
Filter Tilt
← Global brightness EQ
Tilt
0.5
CenterFreq
1000Hz
Level
0
Room
← Studio room ambience
Mix
0.1
Decay
0.7s
Predelay
14ms
Engineer's note
File 148
Slash's swaggering, Drop D main riff from Velvet Revolver's 2004 debut Contraband — a Les Paul into cranked Marshall. Producer Josh Abraham cut the band mostly live at NRG and Pulse (engineer Ryan Williams, mixed by Andy Wallace), tracking guitars through SM57s. The distortion is Slash's signature Marshall stack — a Frank-Levi-modded JCM800 2203 and his JCM 2555SL Silver Jubilee signature — with a Tube Screamer tightening the front end. Confirmed Drop D (D-A-D-G-B-E), not Eb.
— Slash
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