No. 0341987·hard-rock·3 blocks
Welcome to the Jungle
Welcome to the Jungle features a more aggressive, higher-gain version of Slash's Les Paul through Marshall tone compared to Sweet Child O' Mine. The opening wah-filtered harmonics lead into a pummeling riff with thick distortion and tight low end. Slash used an Alesis Midiverb for the pitch-shifted intro effect.
Signal path · input → output · 9 blocksLive values · Neural DSP Quad Cortex
Guitar
Gibson Les Paul Standard (1959 replica)
Pickups
HH
Tuning
bridge
Strings
standard
Crying Wah
Studio Comp
Green 808
Brit 2203
4x12 Green 25
Slap Delay
Plate Reverb
Tilt EQ
Crying Wah
← Dunlop Cry Baby
Studio Comp
← Studio compressor
Threshold
-34dB
Ratio
3:1
Attack
38s
Release
200s
Mix
50
Level
3dB
Green 808
← Ibanez TS808
Drive
2
Tone
5.5
Level
8.5
Brit 2203
← Marshall JCM800 2203
Gain
8
Bass
5
Mid
7
Treble
7
Presence
6
Master
7
4x12 Green 25
← Marshall 4x12 Greenback
LowCut80Hz
HighCut9000Hz
Level
0dB
Slap Delay
← Slapback delay (subtle)
Time
80ms
Feedback
15
Mix
18
Plate Reverb
← Studio plate
Decay
1.5s
Predelay
20ms
Mix
18
Level
0
Tilt EQ
← Tilt EQ (global brightness)
Tilt
5
CenterFreq
1000Hz
Level
0
Engineer's note
File 034
Welcome to the Jungle features a more aggressive, higher-gain version of Slash's Les Paul through Marshall tone compared to Sweet Child O' Mine. The opening wah-filtered harmonics lead into a pummeling riff with thick distortion and tight low end. Slash used an Alesis Midiverb for the pitch-shifted intro effect.
— Slash
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