No. 1971986·heavy-metal·4 blocks
Sea of Madness
Adrian Smith wrote Sea of Madness and it shows: the riff is chorused, chiming and mid-forward rather than heavy, because Somewhere in Time was cut on Gallien-Krueger solid-state combos instead of Marshalls. Guitars went down at Wisseloord with the rhythm section from Compass Point, Martin Birch producing, and the GK's onboard chorus and echo replaced the outboard rack. Bright transistor drive is what makes this riff sound like no other Maiden record.
Somewhere in TimeSignal path · input → output · 6 blocksLive values · Boss Katana
Guitar
Jackson Custom Adrian Smith prototype (1986, white)
Pickups
HSS
Tuning
bridge
Strings
standard
Booster
Crunch
FX
Delay
Reverb
Booster
← Gallien-Krueger 250ML overdrive channel
Drive
5.5
Bottom
4
Tone
6.5
Level
6
Crunch
← Gallien-Krueger 250ML solid-state combo
Gain
4.5
Volume
6.5
Bass
4
Middle
6
Treble
7
Presence
6
Master
8
FX
← Boss CE-3 / GK onboard chorus
Rate
3Hz
Depth
4
Level
6
Delay
← Gallien-Krueger onboard echo
Time
300ms
Feedback
1
EffectLevel
10
Reverb
← Somewhere in Time studio plate
Time
14ms
PreDelay
22ms
Tone
5
EffectLevel
14
Engineer's note
File 197
Adrian Smith wrote Sea of Madness and it shows: the riff is chorused, chiming and mid-forward rather than heavy, because Somewhere in Time was cut on Gallien-Krueger solid-state combos instead of Marshalls. Guitars went down at Wisseloord with the rhythm section from Compass Point, Martin Birch producing, and the GK's onboard chorus and echo replaced the outboard rack. Bright transistor drive is what makes this riff sound like no other Maiden record.
— Adrian Smith
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