No. 1322004·nu-metal·5 blocks
Duality
The tight, mid-forward drop-B chug that drives Slipknot's biggest single. Cut for Vol. 3 with Rick Rubin at the Mansion and Sound City, 'Duality' is NOT the band's later Rivera/Orange touring rig — Mick Thomson tracked through a VHT Pitbull into a Carvin 4x12, and Jim Root through a Reinhold Bogner-modded Uberschall. Vol. 3 was the band's first Pro Tools album, and Thomson deliberately pulled the gain back and pushed the mids for a cleaner, more articulate wall than Iowa.
Vol. 3: The Subliminal VersesSignal path · input → output · 6 blocksLive values · Pedalboard
Guitar
B.C. Rich Warlock (NJ)
Pickups
HH
Tuning
bridge
Strings
drop B (B-F#-B-E-G#-C#)
Noise Gate
VHT Pitbull Ultra Lead (Thomson)
Bogner Uberschall (modded, Root)
Carvin 4x12 / Bogner 4x12
Shure SM57
Noise Gate
noise_gate
Threshold
5dB
Decay
3s
VHT Pitbull Ultra Lead (Thomson)
preamp
Gain
7
Bass
5
Middle
6
Treble
6
Presence
6
Master
6
Bogner Uberschall (modded, Root)
blend
Gain
7
Bass
5
Middle
6
Treble
6
Presence
6
Master
6
Engineer's note
File 132
The tight, mid-forward drop-B chug that drives Slipknot's biggest single. Cut for Vol. 3 with Rick Rubin at the Mansion and Sound City, 'Duality' is NOT the band's later Rivera/Orange touring rig — Mick Thomson tracked through a VHT Pitbull into a Carvin 4x12, and Jim Root through a Reinhold Bogner-modded Uberschall. Vol. 3 was the band's first Pro Tools album, and Thomson deliberately pulled the gain back and pushed the mids for a cleaner, more articulate wall than Iowa.
— Mick Thomson
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