No. 0711990·heavy-metal·5 blocks

Painkiller

Judas Priest's fastest, most violent statement. On the 1990 title track, Glenn Tipton and K.K. Downing drove hot-humbucker Hamer solidbodies into cranked JCM800-era Marshalls, recorded by Chris Tsangarides at Miraval Studios in France. The rhythm is wall-of-Marshall high gain at roughly 200 BPM; Tipton's solo adds wah and screaming whammy dives. Standard tuning — the speed lives in the picking hand and a tight noise gate.

Painkiller coverPainkiller
Settings for
Signal path · input → output · 6 blocksLive values · Pedalboard
Guitar
Hamer solidbody (Tipton/Downing, Painkiller era)
Pickups
HH
Tuning
bridge
Strings
standard
Rack noise gate
Dunlop Cry Baby (Tipton, solo)
Marshall JCM800 2203 (cranked)
Marshall 4x12 (Celestion-loaded)
Shure SM57
Rack noise gate
noise_gate
Effect
Threshold
5dB
Release
3s
Dunlop Cry Baby (Tipton, solo)
wah
Wah
Marshall JCM800 2203 (cranked)
preamp
Amp
Gain
8
Bass
5
Middle
6
Treble
7
Presence
7
Master
6

Engineer's note

File 071
Judas Priest's fastest, most violent statement. On the 1990 title track, Glenn Tipton and K.K. Downing drove hot-humbucker Hamer solidbodies into cranked JCM800-era Marshalls, recorded by Chris Tsangarides at Miraval Studios in France. The rhythm is wall-of-Marshall high gain at roughly 200 BPM; Tipton's solo adds wah and screaming whammy dives. Standard tuning — the speed lives in the picking hand and a tight noise gate.
Glenn Tipton

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