No. 0841995·alternative·4 blocks
Bullet With Butterfly Wings
The world is a vampire — and the detonating chorus is a Fender Blender, not a Big Muff. Corgan named the pedal and the song together: 'at about two-and-a-half minutes there's a part where the key changes and it comes in all loud and thick.' Built on the Mellon Collie rig — a KT88-loaded JCM800 through a Mesa Strategy 500 power amp into a Marshall 4x12 — Bullet pairs hushed clean verses against that blown-out octave-fuzz chorus, all in Eb standard.
Mellon Collie and the Infinite SadnessSignal path · input → output · 7 blocksLive values · Fractal Axe-Fx
Guitar
Fender Stratocaster ('57 Reissue)
Pickups
SSS
Tuning
bridge
Strings
Eb standard
Studio Comp
Octave Distortion
Brit 800
4x12 Marshall
Digital Delay
Room
Studio Comp
← Input conditioning
Threshold
-28dB
Ratio
2:1
Attack
10s
Release
180s
Mix
0.5
Level
0dB
Octave Distortion
← Fender Blender (octave fuzz)
Drive
7.5
Tone
6
Level
7
Brit 800
← Marshall JCM800 2203 → Mesa Strategy 500
Drive
4
Bass
5
Mid
6
Treble
6
Presence
5
MV
8
Cut
5
4x12 Marshall
← Marshall 1960 4x12 ('Mars')
LowCut85Hz
HighCut7000Hz
Level
0dB
Digital Delay
← Chorus width (post)
Time
70ms
Feedback
0.1
Mix
0.1
Room
← Subtle ambience
Mix
0.1
Decay
0.9s
Predelay
0.0ms
Engineer's note
File 084
The world is a vampire — and the detonating chorus is a Fender Blender, not a Big Muff. Corgan named the pedal and the song together: 'at about two-and-a-half minutes there's a part where the key changes and it comes in all loud and thick.' Built on the Mellon Collie rig — a KT88-loaded JCM800 through a Mesa Strategy 500 power amp into a Marshall 4x12 — Bullet pairs hushed clean verses against that blown-out octave-fuzz chorus, all in Eb standard.
— Billy Corgan
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