No. 1402000·nu-metal·4 blocks
Last Resort
The instantly recognizable Drop D hook that launched Papa Roach. Jerry Horton tracked Infest at NRG Recording Studios with producer Jay Baumgardner, who — at DreamWorks' insistence — kept the record raw and 'not over-produced.' The result isn't a scooped Rectifier wall: BOSS describes it as a tighter tone with 'midrange bark that lets every note of the fast-moving riff come through.' It's built around Horton's documented Marshall rig — a JMP-1 preamp into an EL34 power amp, plus a JCM-series head — in Drop D.
InfestSignal path · input → output · 7 blocksLive values · Fractal Axe-Fx
Guitar
6-string humbucker solidbody (Infest guitar undocumented)
Pickups
HH
Tuning
bridge
Strings
Drop D (D-A-D-G-B-E)
Noise Gate
Deluxe Comp
Brit 2204
4x12 Greenback
Filter Tilt
Room
Noise Gate
← Noise gate
Threshold
-52dB
Decay
0.3s
Level
0
Deluxe Comp
← Light tracking compression
Threshold
-30dB
Ratio
2:1
Attack
40s
Release
180s
Mix
0.3
Level
0dB
Brit 2204
← Marshall JMP-1 / JCM900
Drive
6.5
Bass
5
Mid
6.5
Treble
6
Presence
6
MV
6
4x12 Greenback
← Marshall 1960B 4x12
LowCut90Hz
HighCut8500Hz
Level
0dB
Filter Tilt
← Global brightness EQ
Tilt
0.5
CenterFreq
1000Hz
Level
0
Room
← Studio room ambience
Mix
0.1
Decay
0.5s
Predelay
12ms
Engineer's note
File 140
The instantly recognizable Drop D hook that launched Papa Roach. Jerry Horton tracked Infest at NRG Recording Studios with producer Jay Baumgardner, who — at DreamWorks' insistence — kept the record raw and 'not over-produced.' The result isn't a scooped Rectifier wall: BOSS describes it as a tighter tone with 'midrange bark that lets every note of the fast-moving riff come through.' It's built around Horton's documented Marshall rig — a JMP-1 preamp into an EL34 power amp, plus a JCM-series head — in Drop D.
— Jerry Horton
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