No. 1402000·nu-metal·4 blocks
Last Resort
The instantly recognizable Drop D hook that launched Papa Roach. Jerry Horton tracked Infest at NRG Recording Studios with producer Jay Baumgardner, who — at DreamWorks' insistence — kept the record raw and 'not over-produced.' The result isn't a scooped Rectifier wall: BOSS describes it as a tighter tone with 'midrange bark that lets every note of the fast-moving riff come through.' It's built around Horton's documented Marshall rig — a JMP-1 preamp into an EL34 power amp, plus a JCM-series head — in Drop D.
InfestSignal path · input → output · 5 blocksLive values · Pedalboard
Guitar
6-string humbucker solidbody (Infest guitar undocumented)
Pickups
HH
Tuning
bridge
Strings
Drop D (D-A-D-G-B-E)
Noise Gate
Marshall (JMP-1 preamp / JCM-series head)
Marshall 1960B 4x12 (Celestion Vintage 30 / G12T-75)
Shure SM57
Noise Gate
noise_gate
Threshold
5dB
Decay
3s
Marshall (JMP-1 preamp / JCM-series head)
preamp
Gain
6.5
Bass
5
Middle
6.5
Treble
6
Presence
6
Master
6
Engineer's note
File 140
The instantly recognizable Drop D hook that launched Papa Roach. Jerry Horton tracked Infest at NRG Recording Studios with producer Jay Baumgardner, who — at DreamWorks' insistence — kept the record raw and 'not over-produced.' The result isn't a scooped Rectifier wall: BOSS describes it as a tighter tone with 'midrange bark that lets every note of the fast-moving riff come through.' It's built around Horton's documented Marshall rig — a JMP-1 preamp into an EL34 power amp, plus a JCM-series head — in Drop D.
— Jerry Horton
Sources · Verified by
