No. 0591976·classic-rock·4 blocks
More Than a Feeling
Tom Scholz built More Than a Feeling's wall of guitar in his Watertown basement on gear he made himself. A 1968 Les Paul Goldtop with P-90s ran into a 100W Marshall (widely cited as a 1959 Super Lead Plexi) cranked into one of his homemade prototype Power Soak attenuators, plus a homemade compressor/sustainer and outboard EQ. The Rockman is a red herring — it didn't exist until 1982; the 1976 record is power-soaked Marshall plus DIY compression, heavily multi-tracked. The result is ultra-sustained, glassy, and impossibly layered.
BostonSignal path · input → output · 5 blocksLive values · Fractal Axe-Fx
Guitar
Gibson Les Paul Goldtop (1968, P-90s — 1976 spec)
Pickups
P90
Tuning
bridge
Strings
standard
Studio Comp
Plexi 100W High
4x12 Greenback
Plate Reverb
Studio Comp
← Scholz homemade compressor/sustainer
Threshold
-34dB
Ratio
4:1
Attack
0.1s
Release
0.7s
Mix
0.9
Level
2dB
Plexi 100W High
← 100W Marshall Super Lead (power-soaked)
Drive
7
Bass
5
Mid
6
Treble
6.5
Presence
6
MV
9
Cut
4
4x12 Greenback
← Marshall 4x12
LowCut95Hz
HighCut8500Hz
Level
0dB
Plate Reverb
← Studio ambience (multi-tracking + EQ)
Mix
0.2
Decay
1.4s
Predelay
25ms
Engineer's note
File 059
Tom Scholz built More Than a Feeling's wall of guitar in his Watertown basement on gear he made himself. A 1968 Les Paul Goldtop with P-90s ran into a 100W Marshall (widely cited as a 1959 Super Lead Plexi) cranked into one of his homemade prototype Power Soak attenuators, plus a homemade compressor/sustainer and outboard EQ. The Rockman is a red herring — it didn't exist until 1982; the 1976 record is power-soaked Marshall plus DIY compression, heavily multi-tracked. The result is ultra-sustained, glassy, and impossibly layered.
— Tom Scholz
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