No. 1592007·stoner-rock·4 blocks
Electric Worry
Clutch's swampy, swaggering anthem from 2007's From Beale Street to Oblivion, cut with Joe Barresi at Sound City. Tim Sult's tone is a masterclass in restraint: a Gibson SG straight into a cranked vintage Marshall JMP and a 1960 cab with V30s -- mid-forward, raw, and built almost entirely on open strings. No fuzz, no octave tricks on the riff, just guitar into amp. Standard E (confirmed by Sult himself).
From Beale Street to OblivionSignal path · input → output · 4 blocksLive values · Kemper Profiler
Guitar
Gibson SG Standard
Pickups
HH
Tuning
bridge
Strings
Standard E (E-A-D-G-B-E)
Studio Comp
Search Rig Exchange for 'Marshall JMP 1987 Super Lead'
Spring Reverb
Studio Comp
← Light tracking compression
Threshold
3dB
Volume
0
Search Rig Exchange for 'Marshall JMP 1987 Super Lead'
← Marshall JMP (Super Lead-style)
Gain
6
Bass
6
Middle
8
Treble
6
Presence
5
Spring Reverb
← Sound City room / studio ambience
Decay
1s
Predelay
12ms
Mix
12
Engineer's note
File 159
Clutch's swampy, swaggering anthem from 2007's From Beale Street to Oblivion, cut with Joe Barresi at Sound City. Tim Sult's tone is a masterclass in restraint: a Gibson SG straight into a cranked vintage Marshall JMP and a 1960 cab with V30s -- mid-forward, raw, and built almost entirely on open strings. No fuzz, no octave tricks on the riff, just guitar into amp. Standard E (confirmed by Sult himself).
— Tim Sult
Sources · Verified by
