No. 1592007·stoner-rock·4 blocks
Electric Worry
Clutch's swampy, swaggering anthem from 2007's From Beale Street to Oblivion, cut with Joe Barresi at Sound City. Tim Sult's tone is a masterclass in restraint: a Gibson SG straight into a cranked vintage Marshall JMP and a 1960 cab with V30s -- mid-forward, raw, and built almost entirely on open strings. No fuzz, no octave tricks on the riff, just guitar into amp. Standard E (confirmed by Sult himself).
From Beale Street to OblivionSignal path · input → output · 5 blocksLive values · Pedalboard
Guitar
Gibson SG Standard
Pickups
HH
Tuning
bridge
Strings
Standard E (E-A-D-G-B-E)
Real McCoy Custom Wah
Marshall JMP (Super Lead-style)
Marshall 1960 4x12 (Celestion V30)
Shure SM57 (assumed)
Real McCoy Custom Wah
wah
Marshall JMP (Super Lead-style)
preamp
Volume
8
Bass
6
Middle
8
Treble
6
Presence
5
Engineer's note
File 159
Clutch's swampy, swaggering anthem from 2007's From Beale Street to Oblivion, cut with Joe Barresi at Sound City. Tim Sult's tone is a masterclass in restraint: a Gibson SG straight into a cranked vintage Marshall JMP and a 1960 cab with V30s -- mid-forward, raw, and built almost entirely on open strings. No fuzz, no octave tricks on the riff, just guitar into amp. Standard E (confirmed by Sult himself).
— Tim Sult
Sources · Verified by
