No. 1592007·stoner-rock·4 blocks
Electric Worry
Clutch's swampy, swaggering anthem from 2007's From Beale Street to Oblivion, cut with Joe Barresi at Sound City. Tim Sult's tone is a masterclass in restraint: a Gibson SG straight into a cranked vintage Marshall JMP and a 1960 cab with V30s -- mid-forward, raw, and built almost entirely on open strings. No fuzz, no octave tricks on the riff, just guitar into amp. Standard E (confirmed by Sult himself).
From Beale Street to OblivionSignal path · input → output · 6 blocksLive values · Neural DSP Quad Cortex
Guitar
Gibson SG Standard
Pickups
HH
Tuning
bridge
Strings
Standard E (E-A-D-G-B-E)
Studio Comp
Brit Plexi 100
4x12 V30
Spring Reverb
Graphic EQ
Studio Comp
← Light tracking compression
Threshold
-26dB
Ratio
2:1
Attack
50s
Release
200s
Mix
20
Level
0dB
Brit Plexi 100
← Marshall JMP (Super Lead-style)
Gain
6
Bass
6
Mid
8
Treble
6
Presence
5
Master
8
Sag
5
4x12 V30
← Marshall 1960 (Celestion V30)
LowCut90Hz
HighCut7500Hz
Level
0dB
Spring Reverb
← Sound City room / studio ambience
Decay
1s
Predelay
12ms
Mix
12
Level
0
Graphic EQ
← Midrange shaping
Bands
2
Level
0
Engineer's note
File 159
Clutch's swampy, swaggering anthem from 2007's From Beale Street to Oblivion, cut with Joe Barresi at Sound City. Tim Sult's tone is a masterclass in restraint: a Gibson SG straight into a cranked vintage Marshall JMP and a 1960 cab with V30s -- mid-forward, raw, and built almost entirely on open strings. No fuzz, no octave tricks on the riff, just guitar into amp. Standard E (confirmed by Sult himself).
— Tim Sult
Sources · Verified by
