No. 1822004·post-grunge·4 blocks
Metalingus
The driving, anthemic riff behind Alter Bridge's live staple (and Edge's WWE theme). Mark Tremonti carried his Creed formula into One Day Remains — a Mesa/Boogie Triple Rectifier with a Tube Screamer in front — but tuned to drop Db (a half-step below drop D) for the heavier, darker weight. A Bogner adds aggression on the layered rhythm. Tracked on a PRS Singlecut. Tight, mid-present high gain: the TS-into-Recto crunch that defines his rhythm sound.
One Day RemainsSignal path · input → output · 5 blocksLive values · Boss Katana
Guitar
PRS Singlecut (stoptail)
Pickups
HH
Tuning
bridge
Strings
drop Db
Noise Gate
Lead
Booster
Reverb
Noise Gate
← FRFR gate (tightness)
Threshold
52dB
Release
20s
Level
0
Lead
← Mesa/Boogie Triple Rectifier
Gain
76
Volume
60
Bass
52
Middle
52
Treble
62
Presence
60
Master
60
Booster
← Ibanez Tube Screamer (TS808)
Drive
20
Bottom
45
Tone
60
Level
75
Reverb
← Studio ambience (dry mix)
Time
4ms
PreDelay
10ms
Tone
52
EffectLevel
6
Engineer's note
File 182
The driving, anthemic riff behind Alter Bridge's live staple (and Edge's WWE theme). Mark Tremonti carried his Creed formula into One Day Remains — a Mesa/Boogie Triple Rectifier with a Tube Screamer in front — but tuned to drop Db (a half-step below drop D) for the heavier, darker weight. A Bogner adds aggression on the layered rhythm. Tracked on a PRS Singlecut. Tight, mid-present high gain: the TS-into-Recto crunch that defines his rhythm sound.
— Mark Tremonti
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