No. 1822004·post-grunge·4 blocks
Metalingus
The driving, anthemic riff behind Alter Bridge's live staple (and Edge's WWE theme). Mark Tremonti carried his Creed formula into One Day Remains — a Mesa/Boogie Triple Rectifier with a Tube Screamer in front — but tuned to drop Db (a half-step below drop D) for the heavier, darker weight. A Bogner adds aggression on the layered rhythm. Tracked on a PRS Singlecut. Tight, mid-present high gain: the TS-into-Recto crunch that defines his rhythm sound.
One Day RemainsSignal path · input → output · 5 blocksLive values · Kemper Profiler
Guitar
PRS Singlecut (stoptail)
Pickups
HH
Tuning
bridge
Strings
drop Db
Compressor
Green Scream
Search Rig Exchange for 'Mesa Triple Rectifier' or 'Recto Modern'
Room Reverb
Compressor
← Studio tracking compression
Intensity
3
Attack
0.1s
Volume
0
Green Scream
← Ibanez Tube Screamer (TS808)
Drive
2
Tone
6
Volume
8
Search Rig Exchange for 'Mesa Triple Rectifier' or 'Recto Modern'
← Mesa/Boogie Triple Rectifier
Gain
7
Bass
5
Middle
5
Treble
6
Presence
6
Room Reverb
← Studio ambience (dry mix)
Decay
0.3s
Predelay
10ms
Mix
0.1
Engineer's note
File 182
The driving, anthemic riff behind Alter Bridge's live staple (and Edge's WWE theme). Mark Tremonti carried his Creed formula into One Day Remains — a Mesa/Boogie Triple Rectifier with a Tube Screamer in front — but tuned to drop Db (a half-step below drop D) for the heavier, darker weight. A Bogner adds aggression on the layered rhythm. Tracked on a PRS Singlecut. Tight, mid-present high gain: the TS-into-Recto crunch that defines his rhythm sound.
— Mark Tremonti
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