No. 1822004·post-grunge·4 blocks

Metalingus

The driving, anthemic riff behind Alter Bridge's live staple (and Edge's WWE theme). Mark Tremonti carried his Creed formula into One Day Remains — a Mesa/Boogie Triple Rectifier with a Tube Screamer in front — but tuned to drop Db (a half-step below drop D) for the heavier, darker weight. A Bogner adds aggression on the layered rhythm. Tracked on a PRS Singlecut. Tight, mid-present high gain: the TS-into-Recto crunch that defines his rhythm sound.

One Day Remains coverOne Day Remains
Settings for
Signal path · input → output · 5 blocksLive values · Pedalboard
Guitar
PRS Singlecut (stoptail)
Pickups
HH
Tuning
bridge
Strings
drop Db
Ibanez Tube Screamer (TS808)
Mesa/Boogie Triple Rectifier
Mesa/Boogie 4x12 (Recto / Heartbreaker)
Shure SM57
Ibanez Tube Screamer (TS808)
overdrive
Distortion
Drive
2
Tone
6
Level
8
Mesa/Boogie Triple Rectifier
preamp
Amp
Gain
7
Bass
5
Middle
5
Treble
6
Presence
6
Master
5

Engineer's note

File 182
The driving, anthemic riff behind Alter Bridge's live staple (and Edge's WWE theme). Mark Tremonti carried his Creed formula into One Day Remains — a Mesa/Boogie Triple Rectifier with a Tube Screamer in front — but tuned to drop Db (a half-step below drop D) for the heavier, darker weight. A Bogner adds aggression on the layered rhythm. Tracked on a PRS Singlecut. Tight, mid-present high gain: the TS-into-Recto crunch that defines his rhythm sound.
Mark Tremonti

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