No. 0851976·classic-rock·4 blocks
Life in the Fast Lane
Joe Walsh wrote and played the snaking main riff of Life in the Fast Lane on a 1950s Fender Stratocaster straight into a cranked tweed Fender Deluxe — bright, biting, just over the edge of breakup. Don Felder doubled the riff an octave up on his 1959 Les Paul through the same amp. No pedals: producer Bill Szymczyk had the players punching parts in live from the control room, the growl coming entirely from a small tweed combo pushed hard.
Hotel CaliforniaSignal path · input → output · 6 blocksLive values · Fractal Axe-Fx
Guitar
Fender Stratocaster (1950s)
Pickups
SSS
Tuning
bridge
Strings
standard
Studio Comp
Tweed Deluxe Nrm
1x12 Tweed
Spring Reverb
Filter Tilt
Studio Comp
← Studio compression
Threshold
-28dB
Ratio
2:1
Attack
10s
Release
180s
Mix
0.5
Level
0dB
Tweed Deluxe Nrm
← Fender Tweed Deluxe (5E3)
Drive
7
Bass
4.5
Mid
6
Treble
6
Presence
5
MV
7
Cut
5
1x12 Tweed
← Tweed Deluxe 1x12
LowCut90Hz
HighCut6500Hz
Level
0dB
Spring Reverb
← Tracking room ambience
Mix
0.1
Decay
0.9s
Predelay
0.0ms
Filter Tilt
← Tilt EQ (global brightness)
Tilt
0.6
CenterFreq
1000Hz
Level
0
Engineer's note
File 085
Joe Walsh wrote and played the snaking main riff of Life in the Fast Lane on a 1950s Fender Stratocaster straight into a cranked tweed Fender Deluxe — bright, biting, just over the edge of breakup. Don Felder doubled the riff an octave up on his 1959 Les Paul through the same amp. No pedals: producer Bill Szymczyk had the players punching parts in live from the control room, the growl coming entirely from a small tweed combo pushed hard.
— Joe Walsh
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