No. 0991977·hard-rock·4 blocks
Whole Lotta Rosie
Rawer and louder than the law allows. On Let There Be Rock, Angus drove a late-'60s Gibson SG Standard into a cranked 100-watt Marshall JMP Super Lead with Celestion Greenbacks — and famously kept playing as the amp literally smoked during the solo. Producers Harry Vanda and George Young tracked it nearly live at Albert Studios, Sydney, with minimal overdubs and none of the later studio gloss. No pedals, standard tuning; the grit is all amp and right hand.
Let There Be RockSignal path · input → output · 7 blocksLive values · Fractal Axe-Fx
Guitar
Gibson SG Standard (late 1960s)
Pickups
HH
Tuning
bridge
Strings
standard
Studio Comp
Klon
Plexi 100W Normal
4x12 Greenback
Room
Filter Tilt
Studio Comp
← Studio compression
Threshold
-34dB
Ratio
2:1
Attack
12s
Release
200s
Mix
0.4
Level
0dB
Klon
← Schaffer-Vega wireless preamp boost
Drive
1.5
Tone
5.5
Level
7
Plexi 100W Normal
← Marshall JMP Super Lead 100W
Drive
7.5
Bass
5
Mid
7
Treble
6
Presence
5
MV
7
Cut
5
4x12 Greenback
← Marshall 4x12 (Celestion G12M Greenback)
LowCut95Hz
HighCut10500Hz
Level
0dB
Room
← Albert Studios live room (minimal)
Mix
0.1
Decay
0.6s
Predelay
0.0ms
Filter Tilt
← Tilt EQ (global brightness)
Tilt
0.5
CenterFreq
1000Hz
Level
0
Engineer's note
File 099
Rawer and louder than the law allows. On Let There Be Rock, Angus drove a late-'60s Gibson SG Standard into a cranked 100-watt Marshall JMP Super Lead with Celestion Greenbacks — and famously kept playing as the amp literally smoked during the solo. Producers Harry Vanda and George Young tracked it nearly live at Albert Studios, Sydney, with minimal overdubs and none of the later studio gloss. No pedals, standard tuning; the grit is all amp and right hand.
— Angus Young
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