No. 0991977·hard-rock·4 blocks
Whole Lotta Rosie
Rawer and louder than the law allows. On Let There Be Rock, Angus drove a late-'60s Gibson SG Standard into a cranked 100-watt Marshall JMP Super Lead with Celestion Greenbacks — and famously kept playing as the amp literally smoked during the solo. Producers Harry Vanda and George Young tracked it nearly live at Albert Studios, Sydney, with minimal overdubs and none of the later studio gloss. No pedals, standard tuning; the grit is all amp and right hand.
Let There Be RockSignal path · input → output · 4 blocksLive values · Boss Katana
Guitar
Gibson SG Standard (late 1960s)
Pickups
HH
Tuning
bridge
Strings
standard
Treble Booster (off)
Crunch
Reverb
Treble Booster (off)
← Schaffer-Vega wireless preamp boost (FRFR option)
Drive
15
Bottom
55
Tone
55
Level
60
Crunch
← Marshall JMP Super Lead 100W
Gain
65
Volume
65
Bass
50
Middle
70
Treble
60
Presence
50
Master
65
Reverb
← Albert Studios live room (minimal)
Time
6ms
PreDelay
15ms
Tone
50
EffectLevel
8
Engineer's note
File 099
Rawer and louder than the law allows. On Let There Be Rock, Angus drove a late-'60s Gibson SG Standard into a cranked 100-watt Marshall JMP Super Lead with Celestion Greenbacks — and famously kept playing as the amp literally smoked during the solo. Producers Harry Vanda and George Young tracked it nearly live at Albert Studios, Sydney, with minimal overdubs and none of the later studio gloss. No pedals, standard tuning; the grit is all amp and right hand.
— Angus Young
Sources · Verified by
