No. 0991977·hard-rock·4 blocks
Whole Lotta Rosie
Rawer and louder than the law allows. On Let There Be Rock, Angus drove a late-'60s Gibson SG Standard into a cranked 100-watt Marshall JMP Super Lead with Celestion Greenbacks — and famously kept playing as the amp literally smoked during the solo. Producers Harry Vanda and George Young tracked it nearly live at Albert Studios, Sydney, with minimal overdubs and none of the later studio gloss. No pedals, standard tuning; the grit is all amp and right hand.
Let There Be RockSignal path · input → output · 5 blocksLive values · Kemper Profiler
Guitar
Gibson SG Standard (late 1960s)
Pickups
HH
Tuning
bridge
Strings
standard
Compressor
Treble Booster (off)
Search Rig Exchange for 'Marshall JMP' or 'Super Lead'
Room Reverb
Compressor
← Studio compression
Intensity
2.5
Attack
0.0s
Volume
0
Treble Booster (off)
← Schaffer-Vega wireless preamp boost (FRFR option)
Boost
4
Search Rig Exchange for 'Marshall JMP' or 'Super Lead'
← Marshall JMP Super Lead 100W
Gain
7
Bass
5
Middle
7
Treble
6
Presence
5
Room Reverb
← Albert Studios live room (minimal)
Decay
0.6s
Predelay
15ms
Mix
0.1
Engineer's note
File 099
Rawer and louder than the law allows. On Let There Be Rock, Angus drove a late-'60s Gibson SG Standard into a cranked 100-watt Marshall JMP Super Lead with Celestion Greenbacks — and famously kept playing as the amp literally smoked during the solo. Producers Harry Vanda and George Young tracked it nearly live at Albert Studios, Sydney, with minimal overdubs and none of the later studio gloss. No pedals, standard tuning; the grit is all amp and right hand.
— Angus Young
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