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Fader & Knob

Pillar guide · 16 guides

Amp Settings & Tone

The amp is the platform. Every tone on the site sits on top of one of these — or a modeled version of it. Here's how each canonical amp actually sounds like itself, and the settings that get you there.

What makes an amp sound like that amp

Four variables: the preamp topology (single-ended triode, push-pull, cascaded gain stages), the power-amp topology (class A, class AB, single-ended, push-pull), the output transformer (saturation behavior, frequency response), and the speaker + cab (impedance curve, resonance, breakup). Every canonical amp is some specific combination of those four, and the settings that flatter one amp will push another into territory it wasn't designed for.

The guides below treat each amp as its own instrument. Settings are specific because the amps are specific. “Start at noon and tweak” isn't a real answer for the JCM800 or the AC30; the right settings depend on what you're trying to do with that amp's personality.

Clean and edge-of-breakup

The amps that sit down in a mix and let pedals do the coloring — or handle their own saturation at the top of the volume range.

British crunch and high-gain

From the Plexi's open-circuit growl through the 5150's modern metal tightness. The master-volume and preamp-stack lineage.

Attenuators, integration, and volume controls

The practical side — how to run these amps at non-venue volumes, and how to integrate them with modelers, effects loops, and modern rigs.

Amp types and modeler choices

Primers on amp topology (what tube vs solid-state and class A vs AB actually mean) and modeler picks for players who've committed to the digital platform.

Related guides

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